Secret Issue 2

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Topic
Culture

THEME
Issue two is about the ways in which we see and are seen. I was inspired by the time I spent working as a delivery person, noticing the ways people can be completely oblivious to the thousands of bikes on the road at any given time. I also wanted to continue on the magazine's overall ethos of shining light on creators that communicate on their own terms.

2ๅท็›ฎใฏ็งใŸใกใฎ็›ฎ็ทšใ€ใใ—ใฆๆ‰ใˆๆ–นใซใคใ„ใฆใงใ™ใ€‚็งใŒใƒ‡ใƒชใƒใƒชใƒผใฎไป•ไบ‹ใ‚’ใ—ใฆใ€้“่ทฏใซใ„ใคใงใ‚‚ๅญ˜ๅœจใ—ใฆใ„ใ‚‹ไฝ•ๅƒใ‚‚ใฎ่‡ช่ปข่ปŠใซใ€ไบบใ€…ใฏๅฎŒๅ…จใซ็„ก้–ขๅฟƒใงใ„ใ‚‹ใ“ใจใŒใงใใ‚‹ใ“ใจใซๆฐ—ใฅใ„ใŸๆ™‚ไปฃใ‹ใ‚‰ใ‚คใƒณใ‚นใƒ‘ใ‚คใ‚ขใ‚’ๅ—ใ‘ใพใ—ใŸใ€‚ใ‚ใจใฏ่‡ชๅˆ†ใŸใกใฎใใ‚Œใžใ‚Œใฎใ‚„ใ‚Šๆ–นใง่กจ็พใ—ใฆใ„ใ‚‹ใ‚ฏใƒชใ‚จใ‚คใ‚ฟใƒผ้”ใ‚’่ผใ‹ใ—ใ„ใƒฉใ‚คใƒˆใง็…งใ‚‰ใ—ใฆใ‚ใ’ใ‚‹ใ“ใฎ้›‘่ชŒใฎใƒ†ใƒผใƒžใ‚’็ถšใ‘ใŸใ‹ใฃใŸใงใ™ใ€‚

STORY BEHIND THE COVER
It's like a snapshot of a delivery person in Manhattan. I wanted to capture the sense of motion, of how there are moments that happen so quickly, and yet so frequently, that you might miss them if you aren't paying attention.

ใƒžใƒณใƒใƒƒใ‚ฟใƒณใฎใƒ‡ใƒชใƒใƒชใƒผใฎใ‚นใƒŠใƒƒใƒ—ใ‚ทใƒงใƒƒใƒˆใฎใ‚ˆใ†ใชใ‚ซใƒใƒผใงใ™ใ€‚็งใฏใ€ใจใฆใ‚‚็ด ๆ—ฉใ่ตทใใ‚‹็žฌ้–“ใฎใ€ใใ—ใฆใใ†ๆณจๆ„ใ‚’ๆ‰•ใฃใฆใชใ„ใจ้ซ˜ใ„้ ปๅบฆใง่ฆ‹้€ƒใ—ใฆใ—ใพใ†ๅ‹•ไฝœใฎใ‚ทใƒผใƒณใ‚’ๆ‰ใˆใŸใ‹ใฃใŸใ‚“ใงใ™ใ€‚

BEST MOMENT TO READ
Right now. As the world collapses around us. One of the most satisfying things about making Secret has been seeing how many people agree with this overall sentiment. Just knowing that a lot of people out there are as bored with the status quo as I am.

ไปŠใ™ใใซใงใ‚‚ใ€‚ใ“ใฎไธ–็•Œใฏ็งใŸใกใฎๅ‘จใ‚Šใ‚’ๅดฉๅฃŠใ•ใ›ใฆใ„ใฃใฆใ„ใพใ™ใ€‚ใ“ใฎ้›‘่ชŒใ‚’ไฝœใฃใฆไธ€็•ชๆบ€่ถณใ—ใฆใ„ใ‚‹ใ“ใจใฏใ€ใ“ใฎๅ…จไฝ“็š„ใชๆ„่ฆ‹ใซๅŒๆ„Ÿใ™ใ‚‹ๅคšใใฎไบบใŸใกใซๅ‡บไผšใˆใ‚‹ใ“ใจใงใ™ใ€‚ใŸใใ•ใ‚“ใฎไบบใŒใ‚ใŸใ—ใจๅŒใ˜ใ‚ˆใ†ใซใ“ใฎ็พ็Šถใซใ†ใ‚“ใ–ใ‚Šใ—ใฆใ„ใ‚‹ใ‚“ใ ใจใ„ใ†ใ“ใจใงใ™ใ€‚

SOUNDTRACK
Slauson Malone.


Date published
February 2020
Country / Language
USA / English
Reason for print format
Because I think the only way to create a real relationship with an audience is to give them something they can feel. It's easier to be vulnerable offline, and I think readers are starting to crave experiences that feel safe from the constant monitoring of social media and the web.

่ชญ่€…ใจใƒชใ‚ขใƒซใซ้–ขไฟ‚ใ‚’ไฝœใ‚Œใ‚‹ๅ”ฏไธ€ใฎๆ–นๆณ•ใฏใ€ๅฝผใ‚‰ใŒๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใงใใ‚‹ใชใซใ‹ใ‚’ไธŽใˆใฆใ‚ใ’ใ‚‹ใ“ใจใ ใจๆ€ใฃใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚ใ‚ชใƒ•ใƒฉใ‚คใƒณใฎๆ–นใŒ็ด ็›ดใซใชใ‚Šใ‚„ใ™ใ„ใ—ใ€่ชญ่€…ใŸใกใฏใ‚ฝใƒผใ‚ทใƒฃใƒซใƒกใƒ‡ใ‚ฃใ‚ขใ‚„ใ€ใ‚ฆใ‚งใƒ–ใงใฎใŠไบ’ใ„ใ‚’ๅธธใซ็›ฃ่ฆ–ใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใชใ“ใจใ‚’ๆ„Ÿใ˜ใชใ„็ตŒ้จ“ใ‚’ๆŽขใ‚Šๅง‹ใ‚ใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚

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